When hyperbolic paraboloids are designed with small warping, the form boards can provide adequate curvature so that straight boards can be used.
However, the formwork for Milagrosa differs somewhat from that of Candela's other shells. But this sculpture cannot be capricious and arbitrary, since one has to respond to the external laws of structural equilibrium."Ĭandela used a similar construction procedure to his other structures for Milagrosa, including the use of inverted umbrellas as the foundation for his forms. He noted that "it's about attaining an expressive interior space, a surrounding sculpture that one admires from the inside.
#Medalla milagrosa felix candela full#
By placing two of these forms back to back, Candela formed one full bay and then he designed the nave of the church through four of these bays.Ĭandela was especially struck by the opportunity to design a church, because its single floor, great height, and particular function provided him with the chance to create "something transcendent." He commented: "Religious architecture is generally about buildings of only one floor and great height, whose function, very simply, is perfectly defined beforehand, and the structure is the predominant element of its composition." The interior of Milagrosa is the most striking part of the church because Candela insisted that while the exterior of a church is primarily for inviting people in, the interior is the key expressive feature of the building. He started with an asymmetrical umbrella, tilted it so that the short side rested on the ground, and then pulled up the middle of the short side to form a pointed triangle that we will refer to as a half-bay. The committee did not realize that the design was not traditional until construction had already started.One exciting aspect of Milagrosa is Candela's design process of each bay (see the diagram of his design concept). Candela, however, reinterpreted Gothic by using the hyperbolic paraboloid form to minimize material over a large space-one defining ideal of Gothic.
The church committee responsible for the building initially favored a traditional form, reminiscent of Gothic cathedrals. Located in Narvarte, Mexico City, it was surrounded primarily by low residential buildings, including the residence of the priest. Candela designed and built the Iglesia de la Medalla Milagrosa, or Our Lady of the Miraculous Medal Church, between 19. Īt the end of his career he worked with the architect Fernando Higueras, designing inverted umbrellas with 12-meter cantilevers, and with the young and innovative Emilio Pérez Piñero. He was Santiago Calatrava's icon who has had a great influence on his works.
Candela's major contribution to architecture was the development of thin shells made out of reinforced concrete, popularly known as cascarones. He is known for his significant role in the development of Mexican architecture and structural engineering. Templo de Santa Mónica in Colonia Del Valle, Mexico City IStructE Gold Medal, Augusto Perret prize of the Architects International UnionĬlose ▲ 1951, Pabellón de Rayos Cósmicos ("Pavilion of Cosmic Rays"), National Autonomous University of Mexico, with Jorge González Reyna San Lázaro metro station, Mexico City Roof of Candelaria metro station, Mexico City Restaurant of the Hotel Casino de la Selva, Cuernavaca, Mexico Palacio de los Deportes, Mexico City L'Oceanogràfic (El Oceanográfico), City of Arts and Sciences, Valencia, Spain, with Alberto Domingo and Carlos Lázaro. Ciutat de les Arts i les Ciències, Palacio de los Deportes
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